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• Mixed results: promising, but slightly frustrating posted on 02 Aug 2009

  The latest incarnation of the Mike Mignola's once underground, now seemingly omnipresent and unstoppable, comic book masterpiece, 'Hellboy', now comes into the world of animation. The first of the several planned animated films, 'The Sword of Storms' takes Hellboy and drops him in a fantasy world of Japanese folklore. The voice acting is excellent. Ron Perlman has now become the de facto voice of Hellboy, and if this ever becomes an animated series, his presence will be crucial for its success. More surprisingly, considering her usually rather flat and whiny voice, Selma Blair delivers a finely nuanced performance. The best of all however, is Doug Jones. Seemingly perennially cursed by his background as a mime, the man has been seen in several great films in recent years but never heard. He has a pleasant, deep-ish voice, which entirely suits Abe Sapien. David Hyde Pierce acquitted himself well in Hellboy but will not be missed in the sequel. Hopefully Mr Jones' fine performance here will encourage studio execs to leave him be as the voice of the Silver Surfer. The character designs are deliberately different from Mignola's and in my opinion, that is a smart decision. Hellboy himself remains relatively faithful to the original concept, but shown in a more stylised form, reminiscent of Bruce Timm's drawings. For the most part, this works, apart from an occasional slip where Hellboy's face takes on an exaggerated facial expression, lapsing into caricature. Abe Sapien, Liz Sherman and a few of the supporting characters are more radically redesigned and remind of the current pseudo-manga style of 'The Batman' or 'Jackie Chan Adventures'. Personally, I am not a great fan of this particular approach, but I acknowledge it is popular and in context, effective. Mike Mignola's original drawing style is not completely ignored and is most clearly evoked in the design of Hellboy's various skeletal and monstrous opponents. There are also some attempts to emulate the comic's use of shadows (most notably in the "Heads" sequence). There are however, some problems. The animation itself is very hit and miss, and apart from the already mentioned weird facial expressions, there are occasional strange and unnatural movements from the characters. Some scenes feature noticeably poorer animation quality than the overall film. They appear jerky and cheap and look as though they were completed in a rush. The plot itself is not overly engaging. Although a story about cursed ancient lovers shows promise, it is severely underdeveloped, in favour of some nonsense about Thunder Gods and Dragons. The majority of the actual film shows Hellboy wandering around Wonderland (or something), fighting assorted monsters. Some of these action sequences are great fun but it all gets repetitive so that the overall effect is episodic and only occasionally compelling (I'm going to mention "Heads" again here – that segment is excellent). The other half of the film deals with Abe and Liz, but they are not given much to do, and their action sequences are nowhere near as interesting as Hellboy's. There is some attempt to deal with Liz's distrust of her powers but it largely falls flat, especially compared to the comics and film. However, the fact that there is some characterisation at all, as well as the presence of some rather mature themes and some unflinching violence mark this as more than just a kids-only film. Hopefully, the creators are just hitting their stride, and some of the wrinkles will be ironed out by the next instalment.

• Better than the Live Action movie, but not much posted on 28 Apr 2009

  I'm a fan of Hellboy. I'll get that out of the way first. But the Live Action movie was painful. So I wasn't surprised when I liked Sword of Storms better, but it was still sorely lacking.While I like that Hellboy got to swear occasionally, and I love the dialog, a lot of this movie seemed to fail to live up to the award-winning style and substance of Hellboy as a comic book. For one thing, the animation was a little childish to me. It seemed too much like they were watering down the Hellboy world to make it appealing to kids. Unfortunately, they then include a lot of blood and some swearing to make it inappropriate for kids. The dialog seemed very forced in some places, like the voice actors were just reading lines and not interested in the characters at all.Some of the little "episodes" that Hellboy goes through, though, are enjoyable. The scene where he faces the disembodied heads is almost straight out of the comic books, and the real highlight of this otherwise disappointing tale. What really damaged this movie for me, though, was the clumsy attempt at characterization. Liz Sherman woes about being pyknotic, the psychic guy is thoroughly annoying, and the big bad demons at the end are more reminiscent of stereotypical anime theme villains than actual threats to the world. While I applaud the attempt, this one just didn't work for me. I do hope they work a little harder on the next ones and really develop the potential they have here.

• Pretty darn good, but missing something posted on 05 Mar 2009

  I caught this on its Cartoon Network debut, after about two weeks of waiting eagerly for the day to come. After I'd witnessed the Sci-Fi Channel's absolutely brilliant "Amazing Screw-On Head", also a creation of Mike Mignola, maybe my hopes were too high that this would have the same edge and charm and wit. It didn't quite hit that peak. Considering the audience, I guess it couldn't have.Another thing I wasn't prepared for was Abe Sapien being so completely different from his movie incarnation. Not worse, just different. Despite having most of the same voice actors, don't come into this movie expecting it to be a translation of the live film.Artistically, it's pretty great stuff. I watch the DeviantArt gallery of one of the film's concept artists, and minus some tweaking on the designs to make them easier to animate they kept it pretty consistent to the art direction. The character designs of the supporting characters are pretty standard stuff, but the film also boasts some truly beautiful layouts and artwork with rich and well-used color. Animation's kinda choppy in places, but nothing too bad.I kinda wish the script and voice acting really stepped up to plate; despite its efforts there was only one line in the whole film I really laughed at. Still, it was a good way to spend two hours. I'd watch it again.

• Really very good, actually posted on 03 Feb 2009

  I've been a Hellboy reader from the day the first issue of the comic hit the stands. When the live action movie came out I liked it, but thought it could've been a lot better. This movie, however, gave me the "a lot better" that I was hoping for: really fun and interesting MYTHOLOGICAL story (with interesting little bits of cultural details like the comics always have); interestingly plotted story that cuts backward and forward in time in a smart and engaging way; lots of cool, scary bad guys; and better written dialog than I thought the live action had, including better one-liners from HB.I watched it with my six year old boy - checking in with him and explaining stuff if I felt nervous that he might be scared by anything in it - and he loved it too. I think it a great HB movie for a wide age range - again, like the comics.The animation was sharp and detailed, but I kind of wished that the character designs and background work came closer to Mignola's originals. I guess if that were so, though, it would have probably been a much darker, scarier, and more "experimental" looking movie - all of which would have altered it's demographics a lot, and maybe killed it's financing in the process.All in all I'd really recommend it.

• What the Hellboy? posted on 29 Nov 2008

  Live action translates perfectly into animation in this feature-length Hellboy adventure. What makes it even better is that the main cast return to do the voices and Marco Beltrami's main theme is used. A lot of animated spin-offs in the past have proved to be just as good when taken seriously by the makers (Animatrix, Spider-Man) but, in my opinion, Hellboy: Sword of Storms was good enough for a theatrical release. A small one, like Batman: Mask of the Phantasm.The story has HB, Liz and Abe go to Japan where a local historian has gone missing and a priceless exhibit damaged. While at the scene, HB wanders off, following a strange Fox and ends up trapped somewhere in time. Liz and Abe have no idea where he is but have their own problems to deal with as the weather takes a turn for the worse.Stuck in ancient Japan, HB must deal with a bunch of vampires, demons and monsters in an effort to get home. Easier said than done.I liked the movie, but felt it lacked something. Still, it made me interested in the character, even though I have yet to buy a single Hellboy comic book. After watching this however, I can't wait to get some more of HB. The animation style follows that of the comic pretty closely and the color pallet ranges from very bright and very colorful to moody and atmospheric. It's very impressive and highly detailed. Don't expect 'saturday morning' style animation here.If you are seriously into Hellboy or even if you are just a casual fan of the movie then you totally have to get this. I eagerly await Hellboy: Blood and Iron, due out this summer. In the meantime, I reckon I ought to get me some Hellboy comic-books.

• A very enjoyable experiment posted on 19 Nov 2008

  Mike Mignola's "Hellboy" is a treasure among comics, both for its jovial quirk and its sublime visuals, that defy translation to the screen. Guillermo Del Toro's 2004 feature film succeeded beyond all hopes, thanks to his visuals (deep shadows and spot-on use of colors) and the casting (particularly Ron Perlman as our hero). Here's the animated version, meant to explore the character more and help us be patient until the 2008 sequel is released.After a nifty prologue introducing our main protagonists in their new form and setting the tone, "Sword of Storms" develops its main plot (demonic possession in Japan and a mystical sword), blending several genres with ease by separating its main characters for most of the running time: part fantasy quest (as Hellboy journeys through a dreamlike Japan), part paranormal mystery (for Kate), part adventure film (Abe and Liz), it manages to remain fresh throughout while staying true to the spirit of original comics. Retaining the film's voice cast provides one of the main joys, as does Hellboy's animated physique (the lower part of his body, hooves as originally conceived rather than the film's humanoid feet, is more appropriate).The story and tone might put off some newcomers, but kudos to the producers for defending Hellboy's "aquired taste" status that makes it so special. Fans will also note that while the story is mostly original, a small episode with a group of flying heads follows one of Mignola's short stories to the letter. The animation is not the stuff that will give Pixar or Disney nightmares, but is appropriate and some of the designs and settings are truly interesting. The way the sword's legend is recounted is visually daring, and a huge fight between Hellboy and a massive army of demons is truly a joy.All in all, the animated series of features, of which "Sword of Storms" is the promising first, will more than adequately fill the gap until Del Toro's Hellboy 2 is released next year.

• not quite as sweet as the movie, but pretty darn close- should definitely appease fans of the comic book posted on 05 Nov 2008

  Hellboy: Sword of Storms is in the quality of animation no more or less the standard one might see on the average program on Adult Swim (Cartoon Network, of course). Which means it's always eye-catching, if only on a kind of wacky 2-D level that is left in the dust in these days of cinema going the way of CGI. What makes Sword of Storms significant, if only in parts, is that Mignola, Del-Toro and company start to introduce a lot more surreal imagery than was seen in the first theatrical feature. Hellboy gets swept up this time in a pretty convoluted (or just seems that way, turns out it's actually painfully simplistic in terms of the Japanese folklore played out as drama), with monsters and demons all under the control of a sword that if broken spells doom for the Earth. As usual he does his job well at whacking around creatures like a big turtle/lizard creature, and at the start even tackles a big beast that, until Liz- as kind of a running un-funny gag- blazes fire all over the place till the job's done- but that's not all.This time the supernatural is accentuated in the world of what is a cross between Noh theater and, well, the average Hellboy comic-book. It doesn't matter either way how much the writers and producers researched Japanese history and creatures and such (though I'm sure they did their share). What matters is how effective it all is, and in the end Hellboy is also a dark comedy- how is it to see Hellboy, after spending an uncomfortable night with some unpleasant Japanese fellows, to awake to find that they're heads have been disconnected from their bodies, and are attacking him viciously! It's even better, of course, to see the fate of the heads, pleading Hellboy to tell where their bodies lay. I also liked the little asides with the talking fox, the old lady, and of course the big-ass demons, who allow one or two quips from Hellboy as he has to tackle them any way possible. On top of the fighting heads, there's a crazy possessed researcher, which in and of itself could make an interesting issue in the comics.Only the conventions of the story (the psychic has been seen in countless permutations of the annoying side character who's only there for moments of sudden exposition for another side character who isn't as annoying; plus the ending with the Japanese ghosts going through a redemption moment) drag the film really downward. Aside from that, it's from cartoony viewing, and it should appeal to anyone who's somewhat a fan, and mandatory for fans of the books; lord knows there's only so many times we can see Hellboy in the whirlwind of samurai dreams.

• Hell-No posted on 30 Oct 2008

  I get the feeling that this "Hellboy Animated" movie only materialised to cash in on the popularity of the live action movie.This seems to be a prequel to the first Hellboy movie, but it lacks the sense of grandeur that the first, or Golden Army, had. It feels like a "just another day on the job" accounting of one of Hellboy's more interesting paranormal cases, which in this case involves a plot by some Japanese demons to enslave the world and the key to stopping them lie in the form of an ancient Samurai Blade. Fair enough. It sounds quite good. I bet it sounded better on paper than the end result we see on screen. The plot weaves in and out, cutting between Abe Sapien and Liz Sherman responding to some anomaly in the ocean, 2 BPRD agents tracking down a possessed Professor and Hellboy lost in the Japanese backwoods with the Samurai Sword. It gets a little hard to follow at times and many scenes just seem unnecessary in advancing the overall plot. The producers tried to throw in some very unique monsters and threats for Hellboy to face, based on many ancient Japanese myths. A noble move, but unless you are already well versed in the old folklore from the land of the Rising Sun, those monsters(that apparently the production team painstakingly researched) would just come across as generic supernatural threats with some quirky designs.In the end, The whole resolution to the story is possibly the weakest aspect; a real let down. There is a romantic subplot involving an ancient samurai and his ghostly lover but it is not like the romance in the live action movie, more closer to Saturday morning cartoon style of romantic relationships. It is cheesy and would easily make one shake his head in disbelief that the script writers would throw in something like that into an otherwise well written script.The animation for the most part is also relatively weak. As a direct-to-DVD animated feature, Hellboy Animated's animation does not stand up well to other animated feature adaptations of comic book superheros It is stiff, with bland camera angles and uninteresting storyboarding. The visuals are painfully simple, along the lines of animated TV series much less a animated feature. One would think that Mike Mignola's streamlined art style, minimalist colouring and dark, grim and quirky visuals form the comic book would be easy to adapt to animation. They were able to capture Mignola's art style perfectly with "The Amazing Screw On Head" that was released a month earlier from Hellboy Animated. Alas, the production company chose not to stick to that look and went with another stylised look that, in my humble opinion, looked absolutely horrible.The character designs looked like a splicing of Kim Possible, Danny Phantom, and some of the worst looking episodes from the 90s Batman animated series and Transformers Animated. Body Proportions are almost laughable and the overall look comes across as cheap and lazy. This show would not have looked out of place when aired on Saturday mornings after Spongebob Squarepants.Thankfully, a highly enjoyable script and excellent character chemistry saves this show from being a utter failure. Dark Humour, witty comebacks and entertaining banter among the characters. The movie captures the quirkiness of the comics very well and the actors from the film reprise their roles, lending to the feel of continuity. This one is really a mixed bag. If you can get pass the overall under-budgeted look and cheap-o feel of the animation then make your way through one mess of a story smelling like cheese, you got a really entertaining animated movie on your hands. Fun to watch, but little else beyond that.

• Cheap animation. posted on 09 Aug 2008

  Not a fan of this animation style, the proportions between the character were way off from the movie and the voice acting was terrible. It was a nice touch to use some of the same voice actors from the films, but when the actors don't give a great performance in live action what makes them think there voice work will be better. I really wanted to like this animated movie because I had heard it was closer to the comic books (which I have never read) and I have felt the movie was missing a little something and maybe that was it's distance from the comic books. But if this is really a better representation of the comic books then I'll just stick to the live action movies.

• hellishly irritating posted on 25 Apr 2008

  i luckily(?) rented this movie, and tried to watch it but couldn't do this in chunks of any more than a few minutes at a time and did not make it to the end there were several reasons for this:-the voice overs were just absolutely rubbish. i could record a bunch of people off the street and get more inspired performances than these. in particular i hated the cliché Asian accents and apathetic tones -the animation itself was of a poor standard. totally flat and with no fluidity at all. just lots of bland colours -the story was very very poor with no focus at all -the movie is loud, loud and more loud -the DVD i watched had no subtitles? clearly the makers tried extremely hard to borrow from Asian animation, failed totally and then did not even have the decency to provide subtitles in at least Chinese or Japanese.. or in German, french or English for that matter if this is the standard of western animations I'll continue to look elsewhere because this is absolutely sub standard

• a good spin off movie posted on 05 Apr 2008

  i really liked this movie i felt that it captured the spirit of the both the comics and the movie. The animation in this movie is nearly spot on but is still good in it's own way the story is nice and easy to follow and has some good action sequences that hellboy is famous for. I was pleasantly surpirsed to find out that all the acotrs from the movie did voice work for there characters in this movie i was a little upset to find out that doug jones only did the movement for ape in the first movie as i felt he did a great job doing voice work. The designs for this movie look amazing even tho it's animation i really thought that those were really locations overall this is a good spin off film that really enjoyed watching.

• What's missing? posted on 12 Mar 2008

  I enjoyed Hellboy Animated: Sword Of Storms. True to the Hellboy comics, it was full of fantastic monsters. There were some great new ones too by adding in the eastern flair. Of note, the spider lady and her children were well done and really creepy. All the primary cast returns to voice the roles that they played in the live action film so everything is okay there (Abe Sapien is voiced by Doug Jones rather than David Hyde Pierce. Although Jones played Sapien physically in the film, Hyde Pierce was an uncredited voice). The animation is cool and highly reminiscent of the comics. So what is it that's missing? I don't know, I can't put my finger on it, but there is something that fails to show up, making Hellboy Animated as good as its live action counterpart. Maybe its simply that the writer-director is different. Sure Guillermo del Toro can be seen in the credits as producer, but without his hand guiding the film, maybe it suffers. I don't know for sure. At any rate, Sword Of Storms is fun, but I just wish it had been better.

• A Chore of a Movie posted on 02 Oct 2007

  Supposedly only 75 minutes long, but it feels nearly twice that, Sword of Storms is exactly what you don't want the Hellboy movie to be. It manages the trifecta of bad animated movies, to wit:1.) Bad Voice-Acting - Someone apparently told Selma Blair to growl all her lines (deadpan), and while Perlman and Doug Jones were great, they weren't enough to make up for the rest of the straight-to-video players. I really don't need to hear Phil Lamarr do his stock suburban white kid voice ever again.2.) Clunky, Boring Animation - I can accept that the native Hellboy style probably wouldn't work in an animated movie, but why would you go with this? It's as if a low-budget anime and Ultimate Avengers had a particularly ugly child. I wouldn't be surprised if Sword of Storms shares an animation studio with Ultimate Avengers, it's crap.3.) More minutes than story - There's a gigantic lull in this movie, worse than any Bond Film, nestled neatly between the beginning and end. This part is especially disappointing because Mignola actually wrote this incarnation of Hellboy. Combind with the clunky, slow, thrill-less animation style the movie utterly fails to redeem itself with the climax. I was too deep in my coma/stupor to enjoy Hellboy punching things, and that's saying something.This is the kind of movie you can only enjoy as light background music, the instant you take an interest in the story it will disappoint.

• Great adaptation of comic and movie posted on 11 Aug 2007

  I was looking forward to this, and yet was still surprised to see it on TV so soon. I love the Hellboy comics and associated spin offs. I thought the movie was great, too. This cartoon version did a great job of bringing the feel of the comic to life, and as a bonus, Ron Perlman and Selma Blair from the movie version do the vocal work of their characters, respectively Hellboy and Liz Sherman. I was also pleasantly surprised to see that Doug Jones, who played Abe Sapien in the film but did not get to voice his character, which was done nicely by David Hyde Pierce, actually provides the voice for Abe Sapien here, and does a great job, too. The story is good, and much like the comic, focuses on the paranormal aspects of myth and folktale, in this case involving a Japanese sword. The animation was great, reminding me both of the comic art by Mike Mignola and the Batman, Superman, and Justice League animated series. I was very entertained. If you like either the comics or the movie, you should check it out, and if you like stories involving the paranormal a la the X-Files, you may very well love Hellboy, who brings a neat twist to investigating the paranormal.

• has some good moments,but overall disappointing posted on 29 Jan 2007

  to me,this is animated Hellboy feature is a mixed bag.firstly, i thought the story was pretty slow.the concept was interesting,but it didn't translate well onto the screen.some of the animation was pretty good,and some of it was pretty poor.the fight scenes were pretty good,i'll admit,and there were some funny bits.the voice acting was good,but it should be,since the same a lot of the actors in the live action features are in this one.i also found that the story,in addition to not being that interesting,was overly complicated and got bogged down quite a bit.there are some things which don't really seem to have context,and could have been left out.still,it wasn't anywhere near the worst movie i've seen.for me,Hellboy Animated: Sword of Storms is a 5/10

• Wildly entertaining introduction to the world of the animated Hellboy... posted on 12 Dec 2006

  Ron Perlman is awesome as Hellboy. This is a scientific fact; even the critics who disliked the 2004 live-action 'Hellboy' admitted that Perlman owned the screen. So, now we have the animated 'Sword of Storms', and it's a great first outing in what I hope will become a regular series.Beginning with a great action sequence where Hellboy (Perlman again), fish-man Abe Sapien (voice of Doug Jones), and pyrokinetic Liz Sherman (Selma Blair) fight a giant bat god and some Mayan zombies, the film rockets towards Japan, where a professor has become possessed by the demons Thunder and Lightning. The demons were trapped in the Sword of Storms, and Hellboy is transported to a mythological Japanese world when he picks up the sword. Now the big red guy must deal with floating heads, spider-women, kappas, and Thunder and Lightning themselves in a battle to (recite in unison) save the world.First things first: The animation itself is pretty sweet. The action is kinetic and exciting, and I loved just how odd some of the creatures Hellboy faced were. Seriously, how can you not like floating heads that demand to know where Hellboy has hidden their bodies? True, there are times where the character movements are a tad jerky, but it's splendid overall.The same goes for the voice acting. Perlman once more owns the movie as the voice of Hellboy, and his laid-back attitude to all the weirdness surronding him is hilarious. Doug Jones is very good as Abe Sapien; in the live-action film, an uncredited David Hyde-Pierce voiced Abe, and while Pierce did a good job, Jones brings an everyman likability to the role. I liked Peri Gilpin as Hellboy's friend Agent Kate Corrigan (I hope we see more of this character in the future) and the miscellaneous characters are voiced well. Selma Blair, on the other hand, does not fare so well as Liz; she seems bored, frankly, and bored is not the same as the laid-back attitudes of Perlman and Jones.Despite a fairly episodic plot, and the aforementioned lackluster Selma Blair, 'Sword of Storms' is extremely entertaining, and it gives me high hopes for the future.